So for a couple of days at a time, every month or so, I’d drive two hours to his studio, sleep there nights in a bed he’d set up, and record during the day. During the off times in the studio, I used it writing songs for the record. While recording I paid attention on how he arranged the microphones and played around with on different things like switching gears when they fail. I watched as he went through the mixing procedure and as he made remedies for problems that come up at random. My friend would describe what he was doing, and why, and would constantly answer my queries.

Unfortunately, the record didn’t do well in the market. However, what I mastered during that experience and others like it has carried me through many different jobs and projects since that time. At times when a sound technician isn’t available, I no longer worry because I know I can handle the equipment personally and get the results that I want. Additionally, my ear was prepared during that experience to hear when a set of recorded tracks is not blended well, and even more significantly, what I can do about it. At present I am now capable of detecting what is really wrong with the track rather than just knowing that something is wrong.

I’m not a sound engineer, and have no dreams to be one. What is important though is the truth that I mastered both from experience and from mentorship in a recording studio. The reason lies on the facts that in order to learn and comprehend audio engineering you need someone who will show and clarify to you the whole process along with practice and experience.

My friend with the recording studio had in fact been to school, and he had learned a lot of methods he probably would not have picked up on his own. Nevertheless, I find it interesting that even after obtaining that education, my friend was compelled to offer me unlimited free studio time so he could gain experience running his own studio – even after going to school for it. Despite the advantage he got from his education, my friend still finds it insufficient and he wanted more experience.

The results are more important regardless of where you got your education. That is what I learned from my encounter in the recording studio.

This is actually my first official recording experience despite that fact that I’ve recorded a few demos years back using a rather vintage four track cassette recorder. My friend was one of the few individuals who got their hands first on the innovative concept called digital recording and this friend of mind had one of the first sets ups used for recording straight into the computer hard drive. It was an incredible learning encounter for me. I observed how my buddy did microphone placement for vocals, guitar amplifiers and drums; how he placed instrumentalists in different rooms so they could play live “together” and he could record several tracks without audio bleed-over; how he solved problems on the fly when things didn’t go as he’d planned. While my friend is engrossed with the mixing and editing I observed and paid interest to what he is doing. He would clarify different parts of the procedure to me, answering my continuous, pesky questions. Collectively we created a recording we can both be very pleased of.

I never thought my first recording encounter can be of great help until I was placed in a scenario where I need to use my know-how on digital recording. The first one was as a small-time music performer, in hosting events where there was no sound engineer or sound person; if I intend to make it sound good, it was up to me. It was actually astonishing when I was able to manipulate the sound equipment and manipulate the sound mixer with ease. My first recording experience provided me with all the basic knowledge that I need.

The second situation where I was needed to use my basic knowledge was when I was hired as an sound engineer and was tasked to write musical scores for two short movies filmed by my son. Not really being qualified (I thought), I felt overwhelmed and quite out of my element; but I had learned enough from that time in the studio to detect when an audio signal was too loud or too soft, and how to compensate; and in post-production, I was able to write and record multiple songs on a Mac computer, and I knew how to make the adjustments to balance the sound levels. I even discovered out how to remove unnecessary noise from the audio of the film itself, when background noise affected the quality.

In taking on these tasks (which at the time I thought were more than I could manage), I found out just how much that my first recording experience had taught me. I also realized from that encounter just how much we actually learn things by simply doing them.

Click here to see more information and stats on the Cubase 5 lay away plans to avail of.

The Steinberg Cubase 5 has extended features compatible for musicians who ought to be more creative with their music. Being a leading brand this software is an assurance to every music producers who expect more. Giving opportunities for the musicians to be more creative with their own music. One unique feature of the Steinberg Cubase 5 is its Vari Audio. Its different effects on the vocals is a “two thubs up” to musicians, music producers and anyone who used it. You can manipulate and change its pitch and tone. It has the ability to improvise the voices of singers who doesn’t have the real good voice; making it more pleasing to our ears. You will have the freedom to be more creative with your beats through the Groove Agent ONE. The Steinberg Cubase 5 is all-in-one audio software. The basic instruments have been stuffed into this audio software. It has all the basic instruments that you no longer need to bring the actual instrument with you. You can read the the Steinberg Cubase 5′s whole review to know its complete features.

The Steinberg Cubase 5 is an advantage to musician and music producers. Your creativity will be sharper with this software. It is just so complete that this software contains basic musical instruments that you need for a music production. Cutting out the usual trend which is opening multiple softwares. Everything you need is just in a single software. Music producers have been wasting money in investing for less. The Steinberg Cubase 5 is really a worthwhile investment for music producers and simple musicians who strive in making their own music as well.

Read another Steinberg Cubase 5 Midi Software review.

Korg introduces its new range of MIDI controllers the nanoSeries devices intended to meet the needs of artists whose talents are not confined in four walls. Its range of MIDI controllers features three compact products the nanoKEY, the nanoPAD, and the nanoKONTROL.

The nanoKEY is built to be tough, and is a 25-note, velocity-sensitive model. Aside from being very handy in recording chords and melodies, the nanoKEY can also be used to send MIDI data, further expanding its power. Its Octave Shift feature gives you immediate access to the entire MIDI note range, further expanding its power. The nanoKEY also comes complete with pitch and modulation buttons, so your performance will have that natural controller expression, despite its size.

You might be surprised to see the nanoKEY in a very small size. In fact it is so small, you can put it virtually anywhere you want in front of your laptop, in your work station, or wherever you need a versatile control over your virtual instrument or software. But despite its size, the nanoKEY comes with several benefits when it comes to functionality, but its intuitive layout makes operation a breeze for any user.

The nanoPAD on the other hand, is composed of 12 highly-sensitive trigger pads (including an X/Y pad) making it a great tool for laptop DJs as well as for doing drum programming (its roll and flam functions provide a unique interface that allows realistic drum programming). It is USB powered and is capable of sending both notes and MIDI control data at the same time.

The nanoPAD also has a Chord Trigger that lets you enter chords into a single pad, making most of the dirty work as you create. The nanoPAD can also send control change messages, which makes it a great interface for solos and multi tracks. You can turn objects on and off, or trigger clips during your live performances.

Finally, Korg finishes the deal with nanoKONTROL. It gives you 9 faders, 9 knobs, 18 switches, and a full transport section allowing you expansive control. That makes the nanoKONTROL the best DAW and plug-in control, and with its note input mode, laying down your next groove will be such a breeze.

The nanoKONTROL has 4 programmable scenes, and each of them lets you set the controller the way you want it. That means you can send 168 different MIDI Control Change messages and MIDI notes using these switches. It has 6 transport buttons, and each can either send MIDI Control Change messages or MMC messages to control functions such as start, stop, loop, or record.

Thanks to the Korg MIDI Bundle, taking full control over the quality of music that you create is now possible. Get the nanoKEY, the nanoPAD, and the nanoKONTROL today!

Check out the Korg MIDI Bundle or browse for other Midi Controllers.

The APEX AX-48 was just released by Ultimate Support, adding to their APEX line of keyboard accessories that boast of the streamlined functionality to the classic column-style keyboard stand design. This tot boasts of the same Ultimate Support’s signature streamlined functionality among its classic column style keyboard stands. Not only that, it also has cable channels that will keep your keyboard cords neatly tucked away during use. Now, isn’t that the type of performing convenience that you are looking for?

With the APEX AX-48 Pro, you will definitely be safe from the shame of having wires and cords cluttered around unlike typical keyboard stands. An because the AX-48 can support up to two keyboards at the same time, it is not only stylish, but practical as well. The APEX-AX 48 Pro will give you and your keyboard both a rugged and a reliable look, all ready for your spotlight moment.

Although patterned after its infamous predecessor, the AX-90, the AX-48 Pro still stands on its own. Its sleek and new design brings out the star in every performer. It still gives justice to the quality and the aesthetics that the entire APEX line of keyboard accessories have, and so much more.

If you are familiar with the APEX keyboard stands, you will be delighted to see a few familiar essentials in the AX-48 Pro – the same style of a standard column type keyboard stand is maintained as well as the same tri-bar arms system and its adjustable height. It still ha the same support and flexibility as well.

But the best feature of the APEX AX-48 Pro is that it makes set up and tear down a breeze. It easily breaks down into a slim piece of item that is very easy to carry from one gig after another. It will not require you to bring any case or to have a lot of space because its hollow column becomes its own storage feature. You will not have to worry about legs and parts protruding during transport. The legs of the AX-48 Pro will remain connected and will simply slide in and out of the base of the column while the arms stay safe and sound at the top of the column.

The APEX AX-48 Pro is a result of more than 20 years of thinking and skill. So why entrust your precious instruments for anything less? Get the Ultimate Support APEX AX-48 Pro Keyboard Stand today!

Here’s another post about the APEX AX-48.

Check out the specs on the Marshall MXL V67G Condenser Microphone.

We use a condenser microphone for rendering that’s extra powerful touch to our voice quality so that it stands out in the middle of the prevalent chorus and background score. One which does nothing but blends your voice into the resounding chorus is not worth spending money on. often ill informed selection of microphones leads to similar outcomes. Careful selection is hence mandatory. Procure a microphone that has a flat frequency. A flat frequency will enhance your voice quality by putting more emphasis on it. Thus it differentiates your voice from the accompanying instrumental chorus.

The MXL V67G incorporates several advanced features which is representative of its superior quality.Buying one will also make several accessories available to you, which could be used for your benefit. The accessories can prove to be of immense use for several purposes. For example, the carrying case which is a part of the composite kit can be used for carrying the equipment wherever you go.

The equipment is ideally suited to the female voice. It could prove to be an extremely beneficial investment for you, if you are a female singer looking to strike it big in the music industry. The highly sophisticated design of the MXL V67G condenser microphone lends a classy look to it. Even though moderately priced, it can easily blend with the other variants which are considerably dearer.

A Marshall Microphone package contains only one instrument, along with accessories. You cannot buy them in pairs. If sold in pairs the costs can substantially escalate, making it far less affordable.There could also be a compromise in quality of the product.This is especially true in cases of stereophonic recordings which are carried out with the help of this microphone.

The MXL V67G satisfies all pre determined conditions which are laid down for microphones. You are most likely to consider it flawless. It has been universally accepted by all singers for meeting their requirements adequately. The pricing is extremely affordable and competitive as well. Hence, there is virtually no scope for any complaints. All in all it makes for a truly outstanding product

To summarize, the Marshall MXL V67G Condenser Microphone is one of the best buys in its segment. It provides for stereo recordings of enhanced quality. Moderate pricing never allows the demand to dwindle. In comparison to its superb features, the disadvantages of the product are too few and far between.?

The Marshall Microphone offers a 3 year warranty, which underlines its customer satisfying features.Free trouble shooting service is provided to the customers for negligible malfunctions. These world class features distinguish the MXL V67G from the hoards of modest representations in the market.

Another opinion about the MXL V67..

Learn more about the Focusrite Saffire PRO 24 at your nearest musical instruments store.

This high performance kit consists of several hardware components like the internal drivers and interface along with quality software to help produce some amazing music. If that was not enough, you also get 1GB of loops absolutely free, for you to experiment your newly bought Focusrite Saffire PRO 24.

The core design of this model is its interface technology and tacit use of the pre-amps. One of the most noticeable highlights of the Focusrite Saffire PRO 24 is the use of pre-amps to bring down the distortion that occurs during amplification and this piece of technology has won its makers several awards and rave reviews.

The reason behind the high-performance of the Focusrite Saffire PRO 24 has been the marvelous use of the audio interface which makes simple home recorded music sound professional. The Firewire software is used to run the interface in combination with the other features of this state-of-the-art technology for musicians who would like to record their own music. You have the options to use either the analog output or the input, depending on your requirements.

The Focusrite also comes equipped with many functionalities to help improve the productivity, while at the same time producing high quality music. This is possible because of the state of the art Firewire interface, which is all you need to carry out functions such as mixing, for instance.

Music production becomes easy with the Focusrite. The equipment also aids in improving the music, and thereby giving it a high quality, professional touch with the use of the several software that come packaged with it. ??The package is reasonably priced and has very great value for money. The Saffire PRO 24 is apt for any musician who seeks the use of latest technology for creating as well as recording his music.

We know what an amplifier is, and what it does, but most of us are quite annoyed with the distorting sounds the amplifier creates, and this is where the pre-amps technology comes into picture – it seamlessly works magic in reducing the distortions created by an amplifier. Another great feature of the PRO24 is the pre-mixer that gives you access to a wide choice of pre created sounds and loops that you can use to create custom music that you dreamt of.

This package aims to offer the best of the technology for a professional or a budding musician to experiment on different techniques and methods of producing interesting music. It’s a highly valuable music kit aimed at optimizing the production of music whether at the home or in a professional music room.

Purchase the Boss RC20XL Pedal at your favorite music store.

The most striking capability of the product is the loop recording length which is a good 16 minutes. Quite fascinating.That’s an absolutely marvelous feature. This should be well received by all the music pros who craved for a lengthier loop time. This feature is truly amazing and it helps the professionals to add that extra punch to their music.

The second most amazing feature is the increased ability to store more loops at any given point of time. You can store about twelve or so loops on this gadget. This enables you to play many loops at the same point of time, which is great news indeed. With this one of a kind feature, this model of the loop station positions itself at the top of the list of professional music gadgets a musician would love to own.?

This one feature of the loop station fro Boss, makes the lives of music producers a lot easier as they can seamlessly weave several loops together to create the music that they want to without any limitations and restrictions. Without this feature in a loop station it would be very difficult for an expert to produce the effects of orchestra like music. Moreover, this piece of gadget enables you to create original work without any disturbance from the other effects.

Another great advantage of the Boss RC 20XL is that you can save your music as you play on the loop station. This way, even if you don’t recall the musical notes that you used, you can rest assured that it’s all stored on the gadget for you to retrieve whenever you like. That’s an impressive feature as it will ease your burden, so you can put your energy on playing the music you want to without having to remember the notes you played as you can always come back and play.??A musician is at his best when he is focused on what he likes doing the most – creating music, but if thinks of the technical side his concentration levels might be affected. This is where the pre-recording feature of this loop station comes into play. Furthermore, he can with ease mix and match, try different techniques and do much more.

There are several other features to the BOSS RC 20XL loop station, such as modifying the tempo of a loop anytime in the sequence, editing one specific loop without editing the other loops, that make it a worthy investment.